The Killer
Summary
David Fincher ’s latest movieThe Killerfeatures several references and detail that luff to other classical films as well as his signature directorial style . Michael Fassbender star as the ruthlessly cold and look unnamed bravo who had a unflawed reputation before making a pricey error during a design collision in France . The film consist of several Fincher - isms in its tale structure , motion-picture photography , base , and frequent collaborators , construct with a similar meticulous perfectionism as its eerie , unblinking protagonist .
region ofThe Killercan feel inescapable in both compelling and unsettling ways , as Fassbender ’s protagonist takes up the vast majority of the screen clock time . Fincher ’s twelfth feature filmafter the underwhelming 1992Alien 3followed by the 1995 breakoutSe7en , The Killeringrains itself with modern sentiments and technologies while telling a timeless fib of revenge mixed with the classic gun cinematic persona . A traditional and square story choice for theGone GirlandFight Clubdirector , The Killeris at once establish on the graphic novel series of the same name by Alexis Nolent and Luc Jacamon .
10Sitcom Character Aliases
The rightful identity of Fassbender ’s bravo booster is never revealed inThe Killer , but he does go by several assumed name throughout the celluloid that references popular 1970s and 1980s situation comedy grapheme . Some of them let in Sam Malone fromCheers , George Jefferson fromThe Jeffersons , and Archie Bunker fromAll in the Family . The situation comedy false name are a fun nod to the audience that dissemble as an inside joke between the viewer and the Killer since he only seems to utilize the credit carte du jour and passports associated with the lineament once . It is interesting , however , thatno one picks up on the reference work inside the world of the film .
9Agent 47-Inspired Outfits
The ostensible stylistic influence of Agent 47 , the principal character in the popular HITMAN ™ video plot serial publication , is seen throughoutThe Killer . Several of the outfits and disguises used by the Killer seem to be straightaway inspire by the Brobdingnagian wardrobe of Agent 47 , who often changes disguise and assumed name during the video game missions . The outfit pictured here is very reminiscent of the " Summer Suave Suit " of the HITMAN ™ video biz seriesand is only one model of the aesthetic similarities between Fassbender ’s character and the celebrated Agent 47 .
8Reznor & Ross Musical Score
Since the groundbreaking ceremony release ofThe Social Networkin 2010,Fincher has consistently employed the superb duad of Trent Reznor and Atticus Rossto write the musical scores in his feature films . WhileThe Killermight be eclipse by the noticeable use of pop songs by The Smiths , it is also follow by another Reznor and Ross musical score that is mostly reminiscent of their previous body of work on the prolonged masterly soundtrack forThe Girl with the Dragon Tattoo(2011 ) .
7Homage To Le Samouraï
Many of the esthetic elements ofThe Killerare clear visual reference to what some would call the original hitman pic classic , Le Samourï , a moving-picture show that became one of the best works to come out of the pivotal French New Wave era of international movie theater . Watching a trailer forLe Samourïalone would give up any viewer to pick up on the cinematographic and overall optic similarity between the two films , an inspiration forThe Killerthat even Fincher himself called " obvious " in aninterview with Letterboxd .
6Classic Voiceover Narration
Several of Fincher ’s most famous film have incorporate the use of goods and services of voiceover recital to provide current - of - knowingness , first - somebody information about how the champion thinks and sees the world . The Social Networkbegins with the iconic voiceoverof a disgruntled young Zuckerberg drunkenly blogging about his ex - girlfriend month before inventing Facebook . Rosamund Pike ’s chilling voiceover inGone Girlsignifies to the audience how she is ultimately an undependable and manipulative narrator . The exercise of voiceover inFight Clubdepicts the progressively paranoid position of Edward Norton ’s protagonistwhile also depict his warped philosophies , like toThe Killer .
5HITMAN™ Assassination Tactics
Many of the strategical tactic of the booster inThe Killerare also resonant of Agent 47 in theHitmanvideo game . The Killeroften speaks about finding creative ways to fill in his objectives such asstaged accidents and gradual poisoning , which are two of the primary methods of murder in theHitmanvideo games . The Killer also uses a signature sniper rifle and hush up side arm , wears numerous disguise , ward off surveillance , and disposes of evidence in a similar fashion to Agent 47 in the secret plan series .
4Modern Real-Life Services
An interesting aspect ofThe Killeris the intentional integration of its game into modern living through well - known international table service such asAirbnb , WeWork , Uber , Amazon , Google , FedEx , and Postmates . Doing so adds an impressive sense of realism toThe Killerthat makes it palpate as though there are actually people like Fassbener ’s eerie booster walking around concealing in plain stack . It is also in part a Fincher - philosophical system to use current and authentic brand names and establishments to help his film and television serial find more vivid and present .
3Rear Window’s Cinematography
Much of the initial cinematography inThe Killerpays tribute to the innovative cinematography of Alfred Hitchcock ’s classicRear Window . The innovative use of goods and services of POV shots that look into various window in a city was popularized by Hitchcock ’s 1954 film andcreated a remarkable sense of voyeurism through cinematographyalone . Anytime there are shots like these that peer into far - off rooms among metropolis streets and spy on the natural action , it ’s difficult for any cinema buff not to like a shot believe ofRear Window .
2The Conversation’s Themes
The Conversation(1974 ) is another classic example of voyeurism in celluloid and is heightened by the inescapable themes of surveillance and result paranoia . The aspects of using hidden technologies to spy on others inThe Conversationare palpate throughoutThe Killer , as well as the notion of a gifted and dedicated expert going to extreme duration to uncover the the true at all costs . The Converstaion’sunnerving tone is especially felt in the moment in between Fassbender ’s ego - convincing voiceover , when reality starts to break through the cracks of his persistent mantras .
1Nihilism of Fincher’s Protagonist
Many of Fincher ’s friend possess a deep gumption of nihilism and cynicism for the earth and mass around them . Fassbender ’s character inThe Killeris no exception . Similar to Edward Norton ’s persona inFight Cluband Jesse Eisenberg ’s rendition of Zuckerberg inThe Social connection , The Killer is set on certain doctrine of life that end up squander him . The Killer is thinking , driven , and self - aware , but is pressure to pledge to a misanthropic mindset due to his methodologies of perfection and accomplishment . In this way , the admirer ofThe Social NetworkandThe Killerare surprisingly quite standardized .
