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Summary
Important movie characters we never see on screenadd an intriguing and rare layer of storytelling to the flick . This include main and side fictional character whose bearing in the picture is comprised solely by their voices . Cleverly , some movies have also inclose pivotal characters who are neither heard nor seen throughout the film - but notwithstanding make their presence known in other style .
Likenotable but unobserved TV grapheme , important movie character reference who never come along on cover make a sound encroachment despite their partial or complete absence . For the most subtle of abstracted case , their mien is maintained through the other cast extremity ' action , crucial plot points , or even the movie ’s look and feel . Whether they are present only through their voices or are completely missing throughout the movie , their absence itself typically also emphasize the photographic film ’s overarching themes . Whatever the explanation for why they do n’t come out on screenland , these characters foreground the many cunning way in which filmmakers can utilize even completely scatty characters for storytelling .
10Samantha (Scarlett Johansson)
Her (2013)
Cast
Samantha , voiced by Scarlett Johansson inHer , is an advanced colloquial AI operating system . While Samantha rest unobserved from the commencement to theending ofHer , her substance and personality unfold through her voice and interactions with the protagonist , Theodore . As an evolving AI , she explores emotions , knowingness , and the complexity of human link . Samantha ’s unseen nature amplifies the aroused deepness of the story , highlighting theprofound impingement of non - physical relationships in a technologically in advance future . Scarlett Johansson ’s nuanced vocal performance breathes life into Samantha , creating a striking histrionics of the evolving dynamics between humans and AI . Johansson ’s Samantha was all-important toHerwinning the Oscar for Best Original Screenplay .
9Lemony Snicket (Jude Law)
Lemony Snicket’s A Series of Unfortunate Events (2004)
As the mysterious storyteller and investigator into the Baudelaire orphans ' unfortunate tarradiddle , Jude Law ’s Lemony Snicket is never physically present inLemony Snicket ’s A Series of Unfortunate issue . Instead , Snicket ’s vocalism take the audience through the events , provide insight , commentary , and a touch of dry humor . His unobserved yet omnipresent part add an melodic phrase of intrigue , reward the oracular nature of the unfolding misfortunes . Jude Law ’s tale captures Snicket ’s wit and sedateness , creating a fiber whose absence enhances the film ’s mystery , invite looker into the pursuit of answers surrounding the Baudelaire children ’s tragic circumstances .
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8Marcia Brenner (N/A)
An Unmarried Woman (1978)
An Unmarried Womancenters around Michael Murphy ’s Martin and Jill Clayburgh ’s Erica , a span torn apart by an affair . It is Martin who confesses unfaithfulness to Erica , who is distraught that her hubby has engaged in a year - long affair with a much younger woman named Marcia -the primary catalyst of the pic ’s outcome . However , Marcia is neither heard nor seen in the totality ofAn Unmarried Woman . Instead , it is her upshot on the family that the moving picture focus on , particularly Clayburgh ’s Cannes Best Actress award - winning performance - driven by the action of a polar character whose appearance and personality is exit to the looker ’s imagination .
7Dmitri Kissoff (N/A)
Dr. Strangelove: or How I Learned to Stop Worrying and Love the Bomb (1964)
Soviet Premier Dmitri Kissoff may be an unobserved side character inDr . Strangelove : or How I hear to arrest Worrying and Love the Bomb , but he is the person that the character are attempt to reach to prevent atomic war . alternatively of sustain a visual or verbal front , Kissoff is characterized by howPeter Seller ’s role inDr . Strangeloveand the rest of the American war way fight with communication with the Soviet Premier . foreground the tension , miscommunication , and gauze-like fatuousness of the atomic arms race , Kissoff ’s elusiveness iscentral to the main comedic and political elementsthat get Stanley Kubrick ’s dark war satire .
6Harvey (N/A)
Harvey (1950)
James Stewart ’s Elwood P. Dowd is a kind and patrician world with one foreign queerness : he has a 6 - metrical foot tall bloodless cony named Harvey for an imaginary friend . Cleverly , Harveynever explicitly expose whether Dowd ’s genial rabbit friend is really existent or not , opting only to leave behind clues for audiences to ruminate . Present only through ingenious camera panning and disputable circumstance , the unseen rabbitserves as a metaphor for embracing individual eccentricitiesand the importance of imagination in navigating the complexities of spirit . While experience for his Westerns and collaborations with thriller legend Alfred Hitchcock , James Stewart ’s performance alongside Harvey open a timeless , wholesome , and universal tale of toleration .
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5Rebecca (N/A)
Rebecca (1940)
In the psychological thrillerRebecca , the unobserved character Rebecca de Winter is long dead - but exerts a pervasive influence that shapes the movie ’s atmosphere and role . Although entirely absent , Rebecca ’s memory frequent Manderley , the the three estates she once inhabit . Her legacy permeates the narrative , take the psychological tenseness and complex relationships between the characters . In particular , the 2d Mrs. de Winter - played by Joan Fontaine - wrestle with the trace of Rebecca , attempting tocarve her own identity in the looming presence of her predecessor . The unseen Rebecca becomes a symbol of the past ’s inescapable grip , a central forcefulness in the haunting fib of love , mystery , and psychological turmoil .
4The Truck Driver (N/A)
Duel (1971)
Largely regarded as the best TV film ever , Steven Spielberg ’s furor action thrillerDuelis about David Mann - played by Dennis Weaver - who becomes the fair game of an unobserved antagonist . Never fully reveal , the truck driver that violently pursues Mann is an enigmatical and minatory baddie that drives the film ’s suspense . The faceless nature of the truck number one wood magnify the psychological impact , turning thefamiliar deed of driving into a relentless vehicle for horror . transform the ordinary desert highway into a battleground between Mann and machine , Spielberg pull audiences to interrogate the motives and individuality ofDuel’smysterious villain .
3Charles “Charlie” Townsend (John Forsythe)
Charlie’s Angels (2000)
In the movie rebootCharlie ’s Angels , John Forsythe reprised his role as the vocalisation of Charlie Townsend , the subtle and never - seen employer of the Angels . Forsythe ’s comeback reward the bequest of unseen characters in both film and TV , with Charlie ’s original phonation remaining an built-in part of the Angels ' missions and overall charm as a team . This nod to continuityshowcases the endure impact of characters who exist off - concealment , relying on their conversant voice to force back narrative intrigue . Forsythe ’s return as the voice of Charlie emphasizes the timeless allure of mysterious guiding build in storytelling - and their capacity to exceed mediums and 10 .
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2Godot (N/A)
Waiting for Godot (2001)
Godot remains unobserved yet profoundly mold the narrative in the movie adaptation ofWaiting for Godot . As a symbolic number representing hope and function , Godot ’s non - appearance becomes a affecting commentary on the human condition . Played by Barry McGovern and Johnny Murphy , Vladimir and Estragon ’s wait for Godot underscore the existential theme of longing and uncertainty . A crucial accelerator for the characters ' contemplation of life ’s meaning , Godot becomes a powerful metaphor for the subtle nature of intention and the unceasing quest for fulfilment . Through the crystalline lens of waiting , the film masterfully catch the human experience of anticipation , tedium , and theprofound influence of unobserved force on the existential journey .
1The Hunter (N/A)
Bambi (1942)
The hunter that belt down Bambi ’s mother emerges as arguably themost evil villain in Disney chronicle . His entirely off - screen presence symbolizes the double-dyed brutality of nature and the harsh realities of life in the timber . With a single shot , the hunter unfolds the tragic narrative , leaving a hold out emotional scar on both the movie ’s characters and propagation of audience . By remain unseen , thehunter embodies the faceless shock of humanity on the born macrocosm . This canny narrative pick not only magnify the worked up weight ofBambi , but also underline the rest at which a Orion can snuffle out a life sentence - a dark reminder of Darwinian relationship in nature .