Beef
Summary
Netflix’sBeefswiftly carved out its niche in the kingdom of streaming amusement , emerging as a discrete and gripping miniseries that captivates its audience with a unique portmanteau word of drama and introspection , and creator Lee Sung Jin has divulge the inspiration behind the show . TheBeefcastis led by Ali Wong and Steven Yeun and delves into the intricacies of human emotion and social dynamics , framed within the context of a road fad incident that spirals into an intensely personal journeying . Its compelling narrative and deep geographic expedition of characters have pull in it critical acclaim and a strong following , make it a standout addition to Netflix ’s catalog of original content .
Lee Sung Jin , the mastermind behindBeef , is a storyteller whose vision and creativeness are evident in every view of the serial . His ability to transform a commonplace incident into a superimposed , mentation - agitative , and escalating drama showcases his gift and sensitiveness as a Divine . The show not only entertains but also invite viewers to reflect on their own experiences and perception , a will to Lee ’s good storytelling . Beefhas not only mark off Jin as a significant voice in contemporary telecasting but has also had a ethnic impact , resonating with audiences globally for its portrayal of human emotions and conflicts . Unsurprisingly , this honest delineation is influenced by a material issue .
Those who enjoyed Beef ’s blend of comedy , drama , and surrealism should also watch these 10 TV show presently streaming .
Lee Sung Jin Was Inspired To Create Beef After A Real Road Road Incident
The generation ofBeeftraces back to a personal experience of Lee ’s ( viaIndieWire ) . He tell a road madness incident that occurred before the COVID-19 pandemic , where he found himself at the receiving end of an aggressive outburst by a middle - aged clean man . Lee ’s initial chemical reaction of need to follow the other car — similar tothe opening car chase inBeef’sfirst episodeand the catalyst for the series — transformed into a reflective journeying as they bear on in the same traffic for about an minute . This experience , where anger break up into a terrestrial commute with " felicitous music , " was an eye - opener for Lee . Lee order the incident :
In the moment I was like , ‘ I am live on to observe this car . ' And then we were stuck in dealings go the same way for about an 60 minutes . I intend in his mind , he think I was a moonstruck following him through all of Los Angeles , and in my mind , the ire had fool and I was just commute home and hear to well-chosen music … We ’re repulse around in literal bubbles and project so much onto others , with so many assumptions , and there ’s a draw go on in our own life that add to that expulsion .
Lee saw this as a " microcosm of so much going on in our society,“where minor incidents could trigger disproportionate reactions . This incident , highlighting how people navigate their " literal bubbles , " projecting assumptions and emotions onto others , struck a chord with Lee . He shared his experience with Ravi Nandan , A24 ’s head of television , who saw potential in this story . The moment vibrate so well with actor Steven Yeun that he was convinced just a few sentences into Lee ’s pitch . This quislingism tick the starting time ofBeef .
Originally , Beefwas fail to be a lot closer to Lee ’s real - life road cult experience , as the director was planning on tramp an actor much closer to the middle - aged white man he know . In his words , Leewanted to cast a " Stanley Tucci - eccentric " opposite Steven Yeuninstead of Ali Wong . However , Lee soon realized that this casting option would inevitably point the storyline towards open discussions on raceway , which he want to avoid . Lee found that adhering too tight to the reality of his own experience limited the extensive themes he train to explore in the series .
Steven Yeun and Ali Wong are nominated for Emmy Awards for their star character inBeef .
The creator notice , " Even in the brief time we babble out about that , the idea were becoming a lilliputian too genuine and on the nozzle , and you have to talk about race in such an open way and it ’s not something I wanted to do at the sentence . " As a issue , Lee abandon this idea , choose instead to focus on crafting a story that transcended genuine interpretations and cut into deeper into the oecumenical aspects of human behavior and emotion . This decision highlights Lee ’s commitment to a tale that resonates on a more nuanced and metaphoric level , rather than being anchored in specific societal issues .
Here ’s every song on the Beef season 1 soundtrack , including when they play in the A24 Netflix series starring Ali Wong and Steven Yeun .
Lee Sung Jin Had COVID On The First Day Of Shooting Beef
Though Lee make the show , the onlyBeefepisode he take aim was the finale , and the film producer ’s directorial debut was nothing short of dramatic . Lee ’s first daytime on curing coincided with a COVID diagnosing , leading to him directing a shot of the closing curtain remotely from a hospital bed through an iPad . This unprecedented state of affairs call for a unequalled approach to filming , and it lead to more egress . Due to Lee ’s illness , there was a large opening between shoot the first scene and the rest of the installment , which gave the gang a worryingly short amount of fourth dimension to complete the installment . Lee explained :
That was just all hands on deck . We were running out of time and resources , and Larkin and I and Jake are technical school scouting on our own sentence before after work . It was the end of the endurance contest and we were all running out of gas — but I think that made the shoot kind of appropriate for what the characters were going through . We were all feel the same elbow room and probably all very emotional by the end . I just remember that last day , I think we end at 4:30 in the break of the day , and we really did finger like Danny and Amy at that point .
This challenging situation turned into a beginning of share strength for the team . Lee , alongside others like cinematographer Larkin Seiple and film director Jake Schreier , worked tirelessly , often draw out their work 60 minutes to ensure the culmination of the task . This corporate effort , born out of requisite and passion , mirrored the emotional journeying of the characters inBeef . The completion of this exhausting yet fulfilling process was a bit of emotional and originative synergy for the intact squad , resonating profoundly with the show ’s narrative .
Hikari and Jake Schreier guide all ofBeef’sepisodes except for the finale , which was helmed by Lee Sung Jin .
Will There Be A Beef Season 2?
Lee ’s approach to storytelling , grounded in substantial human experience and worked up genuineness , sets a hopeful founding forthe possibleness ofBeefseason 2The creator discussedpotentially turningBeefinto an anthology series , à laThe White Lotus , with season 2 focusing on a dissimilar radical of part . However , that would also think of not revisiting Danny and Amy , who steal audiences ' mettle in the excited time of year coda . Lee seems conflicted about this , commenting :
I ’d lie with to make more . We initially pitched the show as an anthology serial where every season is a new boeuf with new characters . At the same clip , I really love Danny and Amy and George and Paul [ Young Mazino ] and the existence we created . So , I ’m really open to it all .
Either direction , regardless of what avenuesBeefseason 2 could go down and which character it could focus on , another season being confirm would be great intelligence for fans . In the interview withIndieWire , Lee mention how the show has in the end had a prescribed impact on people and their genial health . The Almighty notice , " I ’ve had so many people come up and say that they ’ve struggled with their mental health or they ’ve had suicidal ideation and just find not as alone having take in the show … That ’s very impactful to me and it makes me not feel that fashion . It ’s very living - affirming . "
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Source : IndieWire , WTF with Marc Maron
