Doctor Who

Warning : This article contains plunderer for Doctor Who : Wild Blue Yonder .

Summary

Doctor Whodirector Tom Kingsley details how the mechanical spaceship and David Tennant ’s shape - changing duplicate in " Wild Blue Yonder " were fetch to life with practical effects . The recent special is the middle chapter of the show ’s 60th anniversary trilogy of episodes featuring Tennant’sFourteenth Doctorand Catherine Tate ’s returning companion Donna Noble . In " Wild Blue Yonder , " the Doctor and Donna are left stranded on a ghost ship on the boundary of the world , where sinister beings terrorize them .

Kingsley , the theater director of " Wild Blue Yonder , " has broken down how theDoctor Whoepisode hire practical effects to bring the repulsion of the Doctor and Donna ’s sinister Not - Thing doppelgängers to animation . The extended thread posted to X , formerly known as Twitter , can be seen below :

The train of thought began with Kingsley carry a TV of bunch penis moving the TARDIS around on set , forming the foundation of the law boxwood ’s hovering consequence .

Doctor Who Season 14 Poster

He then move on to how the team make Isaac Newton ’s ( Nathaniel Curtis ) apple - tree inspiration moment , demonstrate a picture of Curtis sitting beneath a tree waiting to have apples set down on his head word . In a disjoined moving picture , Kingsley explained the apple were " lightweight plastic " and bridge player painted .

Kingsley remain on by focalize on the Not - Things , showcasing Tennant and Tate ’s practical uncanny limbs . In a video , Tennant ’s blown-up men were exhibit by a crew phallus , while look-alike show up the imaginative ways Donna ’s elongate weapon system was depict .

Kingsley also included an simulacrum of Donna ’s half - melt body , and divvy up the titbit that six different actors play the Doctor .

David Tennant as the Fourteeth Doctor with extra long arms and large hands in Doctor Who

Kingsley delved specifically into how scenes involving multiple Doctors and Donnas were created through two-bagger and careful editing , providing both images and video .

In another video , Kingsley showed off the episode ’s " inexpensive special essence , " which but involved two doubles place upright on a boxwood . In contrast , he follow it up with the " most expensive exceptional effect , " which was the prospicient corridor Donna and the Doctor take the air down .

Only a few parts of the corridor were actually real . It also was so short that it " only took a couple of seconds to run down , " so a treadmill was used for sealed pellet , as shown in a video .

Donna and the Doctor with their lookalikes in Doctor Who’s 60th-Anniversary special “Wild Blue Yonder”

Kingsley proceeds to share additional behind the scene video and image of the episode ’s hovercart chase and automaton , which was operated by a puppeteering squad .

Kingsley also apportion that the foreign captain was virtual . The director open particular cite to the editor of " Wild Blue Yonder , " Tim Hodges , though he only had a video recording of someone dot the lot to play along it .

Kingsley concluded the thread by sharing a behind the fit video recording fromDoctor Who : unleash , and a demonstration video he made " before take the final # WildBlueYonder following : to help us work out how much time it ’d take to shoot each scene , and how expensive each shot would be . "

Donna Noble and the Doctor from Doctor Who’s Second 60th-Anniversary Special

“Wild Blue Yonder” Is One OfDoctor Who’s Scariest Stories

" Wild Blue Yonder " was the most closemouthed chapter ofDoctor Who ’s 60th anniversary celebrations , with the cast list kept hidden and most of the filming taking place in the studio apartment . merchandising also recreate a part in retain the game under tight wraps , as trailers featured redacted labels across the footage , while the cast and showrunner Russell T Davies remained tight - lipped in interviews . Audiences go into the second instalment unprepared for what unknowable horror lay at the very edge of the universe .

The little terror of " Wild Blue Yonder " is n’t just due to the uncanny body revulsion of the Doctor and Donna ’s inaccurate ratio , but also in how the sequence leave the two heroes vulnerable . Not only are the pair ground with no TARDIS to aid them , but the unknown power of the entity leave them at a disadvantage , especially as they learn the copycats are capable of twin their thoughts . With off - arrange mental imagery and the theatrical role undergoing psychological distress , " Wild Blue Yonder " ranks amongDoctor Who ’s shivery stories .

Doctor Who ’s 2d 60th - anniversary special " Wild Blue Yonder " is positively spine - scarey , comparable only to the season 4 episode " Midnight " .

Doctor Who

" Wild Blue Yonder " feature the consecrated and impressive hard work of many digital VFX artists , but it ’s also amazing that a number of hard-nosed core were used inDoctor Who ’s 2d sixtieth anniversary special . From Tennant ’s colossal coat of arms , the impressive " Jimbo " robot puppet , and the simple john showcasing the Not - thing body - morphing , the installment employed a broad range of technique to create an incredibly elaborate story . As such , viewers curious about Kingsley’sDoctor Whobehind - the - scenes secret are sure to be inspired by the work placed into creating one of the most unsettling stories yet .

Doctor Who : Wild Blue Yonderis presently useable on Disney+ for international audiences , and BBC iPlayer in the UK .

Source : Tom Kingsley / Twitter