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Summary
Gallic directorJulia Ducournau , a seer in the realm of contemporary movie theatre , has carved a recession for herself with her bold and visceral storytelling style . With flick that gainsay and redefine the boundaries of repugnance and drama , Ducournau ’s work is characterize by its unafraid exploration of the human condition , often delving into themes of transformation , individuality , and the grotesque . From her former - career trunks to her acclaimed feature films , her trenchant style blend psychological depth with strong-arm horror , create a cinematic experience that is both intellectually stimulant and unreasoningly piquant .
Ducournau ’s feature films have not only pull together critical acclaim but also a plethora of awards , including a Palme d’Or , establishing her as a redoubtable force in external cinema and the world ofbody repugnance motion picture . Her films have been celebrated at the most prestigious motion picture festivals , culminating in important honor that emphasize her natural endowment and imaginativeness . While Julia Ducournau has only made two feature - distance theatrical movies so far , she is building one of the strong filmographies of any modern filmmaker .
French film has always stood clear-cut and important . Here are the ten most terrifying repugnance entry from France , as ranked by their IMDb Score .
5Mange (2012)
Mangeis a 90 - minute boob tube pic that cement Ducournau ’s fascination with the human body and its potential for change . The movie follows Laura , a lawyer who was browbeat as a teen for being heavy and now has to hail to terminal figure with her binge-eating syndrome . Mangedelves into the dark and sometimes grotesque expression of eating disorders , present a narrative that is both unsettling and profoundly empathetic . However , while fascinating , the drollery - drama lacks the filmmaker ’s unique body horror style , and it sometimes feels like that content matter is being work for flagrant - out humor .
Mangeis not uncommitted for cyclosis .
4Junior (2011)
Junioris a short cinema that offer a glimpse into Ducournau ’s early exploration of transfiguration and bodily change . The story revolves around a teenager undergoing a startling transformation after a child is diagnosed with stomach flu , which Ducournau shoots with a portmanteau word of saturnine humour and raise up imaging . This film , though not as polished as her later whole shebang , showcases Ducournau ’s bud talent in address complex themes with a unique linear perspective .
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3Servant (2021)
Servantis an AppleTV+ psychological horror series that ran for four seasons . Julia Ducournau take the first two time of year 2 episodes , " Doll " and " Spaceman,“bringing her distinct style to a story that was already copious in psychological drama and suspense . Her episodes remain firm out for their acute atmospheric chassis - up and a keen agreement of the series ' overall dour and mystifying tint . While Ducournau ’s contributions are n’t the most celebrated of the series , they are notable for their intensify mother wit of latent hostility and a deeper diving into the characters ' psyche .
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2Raw (2016)
Rawfollows Justine , a vegetarian who begins her survey at a veterinary school , only to have her values dispute in the most extreme ways . As she is forced to consume natural kernel during a hazing ritual , Justine develop an uncorrectable craving for flesh , lead her down a track of shocking self - discovery and transmutation . Rawis an unbelievable female - directed horror film , offering a sound comment on the nature of human desires and the painful journey toward ego - espousal . It not onlysolidified Julia Ducournau ’s report as a filmmaker fearless to push boundariesbut also established her as a storyteller with a unequaled power to observe beauty and meaning in the grotesque .
1Titane (2021)
Cast
Titane , which won the prestigious Palme d’Or at the Cannes Film Festival , tells the story of Alexia , a woman with a Ti plate in her head following a puerility motorcar fortuity , who embark on a eccentric and violent journey when she becomes pregnant after take sexual urge with a car . The film ’s tale is a labyrinth of metaphor and symbolism , where the boundaries between human and automobile , beloved and force , are blurred to an unsettling point . Julia Ducournau’sdirection is unapologetically bold , using shocking imagery and visceral storytelling to research theme of identity , transformation , and the desire for association in a world that feels both foreign and intimately conversant .
Titane is controversial and highly violent , but its terminal minutes offer a sensible expression at the life of two troubled graphic symbol who love each other .
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