Related
Summary
For 34 yr , John C. Reillyhas been a lovesome presence in some of the best films ever made . Despite the actor ’s trenchant voice , Reilly has never been type or pigeonholed into a genre , instead having a healthy admixture of serious dramas and some of the cockamamie comedies ever put on film . Reilly feels just as at home in the idiotic cosmos ofTim and Eric , as he does in the dour grounded one ofLynne Ramsay ’s We call for To Talk About Kevin .
The Academy Award nominee has had a vast career with iconic performances on both TV and Broadway , but some of his best workplace has come from movies , as he has worked with some of thebest livelihood directors , and has continued to make interesting determination . He also has an incredible singing voice , which the best of his movies enjoyment to either striking or comedic outcome . Many of John C. Reilly ’s films are hard to liken because of how dissimilar they are , but a few stand out as being the top of the pack .
10Step Brothers (2008)
As Dale Doback
Cast
John C. Reilly and Will Ferrell take form one of the in effect funniness duos to issue from the 21st century , and their work withfilmmaker Adam McKaybrings out the best in all three creative person . Step Brotherswas a corner - office hit upon going , but its reputation has only grown in the year since its release , as the quotes from the motion picture have made their way into the pop cultivation lexicon . A screaming and idiotic comedy about betray to produce up , Step Brothersisn’t the best workplace from this team , but it is still a hilarious and infinitely rewatchable satire .
Reilly is also accredit with the story forStep Brothers , his only film writing quotation .
9The Sisters Brothers (2018)
As Eli Sisters
While Reilly can be effortlessly hilarious , his best work as an histrion often get along with its fair share of melancholy , as is the case with Jacques Audiard’sThe Sisters Brothers . The neo - westerly stars Reilly and Joaquin Phoenix as a brace of assassinator brothers in 1950s Oregon . The film is a brutal and naturalistic look at the Wild West , but through that realism , it gains a twisted humor . Reilly and Phoenix make a terrific duo , using their extremist - specific personas to craft a new strain of Western . The Sisters Brothersis a dense suntan , and not for everyone , but it is one of the more interesting and unique film in Reilly ’s filmography .
8Magnolia (1999)
As Officer Jim Kurring
go back to the film director ’s first film , Hard Eight , to a cameo in his most recent , Licorice Pizza , John C. Reilly has had a long family relationship with Paul Thomas Anderson . Like Reilly , Anderson can seamlessly blend wit with human poignancy , and their study together onMagnoliais some of the sound from both artists . The film is a massive ensemble objet d’art , butReilly serve as the heart of the picture , as a cop do-or-die for love and just an ounce of respect . For a three - hr drama about death and lonesomeness , Magnoliais a extravagantly rewarding experience and one that bonk exactly how to employ Reilly ’s charm .
John C. Reilly played major function in Paul Thomas Anderson ’s first three movie and recently reunited with the director for Licorice Pizza .
7Chicago (2002)
As Amos Hart
Despite deliver acclaimed performance for over three decades , Reilly ’s only Oscar nomination hail in 2003 , for his support role in the film adaption ofChicago . As Amos Hart , Reilly delivers a nuanced and heartrending carrying out as a sadsack husband , who may not be the astute tool in the shed but has a heart of atomic number 79 . Reilly has an incredible singing voice , and while he gets to babble in many of his comedies , Chicagois the only film that gives him a showstopping , and gut - wring song with " Mister Cellophane " . Not a consummate movie musical , but Rob Marshall ’s adaptation has an incredible cast and great renditions of classic song .
6The Lobster (2015)
As Lisping Man
Yorgos Lanthiomos is one of the more interesting voice to go forth in recent filmmaking , and his English - language debut film , The Lobster , is a delightfully unknown dark comedy about relationships and social pressures . The picture show ’s strange sense of humour is stark for Reilly as he plays a pathetic humankind , whose only delimit trait is his lisp . It is a purposefully uncomfortable film , and one that is design to put off many viewers , but for those who partake the mother wit of humor , The Lobsteris a exulting satire .
The Lobsteris now usable to stream on Max
5The Thin Red Line (1998)
As Sgt. Storm
Releasing the same class asSaving Private Ryan , The Thin Red Lineis a much more aery and pondering look at World War IIand the legal injury it did to the hoi polloi and the ground it touched . The film has a monolithic cast of A - Baron Lister , and in the original hand , Reilly ’s Sgt . Storm was one of the lead fibre . However , like many roles in the plastic film , Reilly ’s part was sternly trim down , as Terrance Mallic rediscovered the movie during editing . Nonetheless , Reilly is terrific in the prospect that did make it to the screen , and the moving picture is one of the most mature and thoughtful war films ever made .
The tenuous Red Line boast one of the most impressive Hollywood tout ensemble of the 1990s , but several actors ' performances were reduced or cut entirely .
4Talladega Nights: The Ballad Of Ricky Bobby (2006)
As Cal Naughton Jr.
Blending McKay ’s biting satire , Will Ferrell ’s manchild theatrical role , and Reilly ’s good - natured doofus role , Talladega Nightsis the perfect mixing of what hold these gentleman funny , crafting one of the best clowning of the 2000s . Talladega Nightsis more than just a sports clowning , it is a quintessential parody of Bush ’s America , a perfect clip capsule for the culture that produced it , and the skilful pic of McKay ’s calling . Reilly has never been peculiar than he is as Cal Naughton Jr. , and his chemistry with Ferrell is even well here than inStep Brothers .
3A Prairie Home Companion (2006)
As Lefty
The last film of fabled filmmaker Robert Altman , A Prairie Home Companionis a poignant clowning about the last functioning of an onetime - fashioned wireless show before it is corrupt and exclude down . Reilly , along with Woody Harrelson , play half of a area singing twosome , who frequent the tuner show . The pair fight , joke around and do havoc behind the scene . Like most of Altman ’s piece of work , the magic ofA Prairie Home Companioncomes from its plentiful macrocosm of characters , andReilly produce a terrific addition to this fitting concluding film from a master .
2Walk Hard: The Dewey Cox Story (2007)
As Dewey Cox
Reilly is often put into supporting roles , or ensemble pieces where there are multiple protagonists . Walk Hard : The Dewey Cox Storyis the rare exception where he was able to lead a studio funniness , and while it was a financial failure upon dismissal , it has hold up and is one of the proficient spoof moving-picture show ever . secern the fake reliable story of singer Dewey Cox , Walk Hardis a parody of the medicine biopic , that has somehow become more biting and relevant since it came out . Walk Hardis a thoroughgoing star fomite for the actor and a clowning that is as mirthful the first time as it is the 30th .
1Boogie Nights (1997)
As Reed Rothchild
Neither John C. Reilly nor Paul Thomas Anderson may ever top the magic that isBoogie Nights , but they should n’t be wait to do so . Boogie Nightsis an adrenaline rush of clowning , sexual urge , rude emotion , and nostalgia wrap insideone of the best movie soundtrack ever get together . Reilly and Mark Wahlberg are a surprisingly meet duo , as the two play off each other like raunchier and more grounded edition of theStep Brothers ' characters . The film has been talk to destruction , but for good ground , as it is one of the most fun film ever made andJohn C. Reilly ’s skillful .
