Summary

Michael Cerahas develop into quite a versatile talent since his breakout theatrical role onArrested Development , hazard into the music setting and craft some of the best on - silver screen melodious execution in comedy . Cera ’s musical natural endowment is a will to his artistic prowess and diversity . His outspoken work and impressive statement of bass and guitar raise he has more to offer audiences beyond his precipitous wit and off - pulsation persona .

Although he tends to be individual about his musical pursuit , Michael Cera made quite a name for himself on the indie rock scenery throughout the 2000s . Not only has he tour with multiple bands and composed the grievance to several pic ( includingPaper Heartand 2017’sDina ) , but in 2014 he released " dead on target That , " his first feature article - distance record album . While Cera prefers to use euphony as a pursuit , his passion for rock is present in some of his most memorable on - silver screen performances to date . From battling theScott Pilgrim vs. the Worldcharactersto tender - hearted duets , Michael Cera ’s moving-picture show careeris full of cracking music numbers .

Scott Pilgrim engage Off is the latest adjustment of the Scott Pilgrim story , and here ’s how it compares to the moving-picture show Scott Pilgrim vs. the World .

Scott Pilgrim’s anime vs. the movie

8Nick and Norah’s Infinite Playlist - Screw The Man

Michael Cera is cast as a bass player for The Jerk Offs

2008’sNick and Norah ’s Infinite Playlistis a moving-picture show noted for its soundtrack , with music being at the mettle of its thrilling romanticistic risky venture . Here , Michael Cera play Nick , a tender - hearted bass player for a band bid The Jerk Offs . During their set , Cera can be seen jam out on the sea bass , leave the groove for their melodious single " Screw The Man . " Cera ’s firm pulsate rhythm is a laid-back contrast to the singer ’s high - octane performance , putting on a show that makes the crew go wild . Although the second is short - lived , it ’s one of the first times in Cera ’s career that he make to show his bass - play accomplishment on screen .

7Scott Pilgrim vs. the World - Ramona

Scott Pilgrim’s acoustic serenade

InScott Pilgrim vs. the World , Scott attempts to serenade Ramona with an acoustic rendering of a birdsong he named after her . Although the birdsong is short , Cera ’s passionate functioning and effortless command of the acoustic guitar are swoon - worthy . Even with a performance this low - key , Cera still manage to flex his guitar accomplishment and save a sweet performance that ’s simple yet charming . It is a brief moment that might not be as energetic and impactful as otherScott Pilgrim vs. the Worldmusic numbers , but it is one of the movie ’s coolest moments regardless .

6Scott Pilgrim vs. the World - Final Fantasy II Bassline

Scott shows off his skills

As a basso player in the film , Cera gets slews of chance to showcase his musical endowment inScott Pilgrim vs. the World , and this scene is a unadulterated example . Here , Scott randomly confesses to his bandmates that he con to playthe bassline forFinal Fantasy IIand precedes to put on a mini solo jam school term . Cera ’s vigorous clump on the basso was not only a fun Easter nut for gamers , but an impressive video display of musicality , even revolutionize sports fan to flock to the cyberspace in search of the song ’s bass tab . This brief scene equalize not only the tone and the esthetic of the film but Scott ’s character as a whole .

Related : Scott Pilgrim ’s Two Movie close BOTH Miss The Point

5Scott Pilgrim vs. the World - We Are Sex Bomb-Omb

Sex Bob-omb’s opening jam session

This hard - hitting song function as the jump stage toScott Pilgrim ’s colorful story , starting viewers off with a heart - pounding hole school term that sets the smell for the residual of the film . After a jarring kickstart by Alison Pill ( Kim ) , the musical talents of Pill , Mark Webber , and Michael Cera fuse to produce a head - roll in the hay course that doubles as the photographic film ’s opening radical . As the credits play out , " We Are Sex Bob - omb " does n’t back down .

The birdsong steadily preserve its contagious high vigour throughout and provides the soundtrack to one of the greatest flick intros of all time . As the Sex Bob - ombs sway out in their first solidification , Cera sells his operation , providing backing vocal music and a stellar on - stage mien that leaves Knives and Young Neil at a loss for words . It is the perfect way to kick off the event ofScott Pilgrim vs. the World .

4Superbad - These Eyes

Cera’s Iconic off-key rendition

Michael Cera ’s rendering of The Guess Who’sThese Eyesis the poppycock of fable , and arguably one of the funniest scenes inSuperbad . In the scene , Cera is in true form as his shy , introverted character is impel to tattle a birdcall in a room full of intimidating , drugged - out homo . At first , Cera bulge shaky and quiet , seemingly succumbing to the irritation of the situation . However , as young Evan pours his heart out , his carbon monoxide - stars ( who include David Krumholtz and scene stealer Kevin Breznahanlend ) commence to chime in and create one of the most uproarious harmonies in teen comedy .

3Scott Pilgrim Vs The World - Threshold

The Sex Bob-ombs give their all

The " Threshold " performance is one of several musical battles that take stead inScott Pilgrim vs The World , but it is arguably the most vivid . InScott Pilgrim , the Sex - Bob - OMB get in a Battle Of The Bands competition where they face off against the maniac Katayanagi Twins . The gamy stakes of the position do the Sex - Bob - Office of Management and Budget to give their all on level , delivering a vigorous , face - melting melodic phrase that ’s so shudder it destroys the rival . As one of Cera ’s final melodious execution in the moving-picture show , " Threshold " is an impressive , passionate display of rock and roll stardom , restoring faith in Sex - Bob - omb ’s confidence while also catching the eye of an industry big shot .

2Juno - Anyone Else But You

A tender moment shared between young lovers

This tender moment divvy up between Elliot Page and Michael Cera is one of the sound scenes in the critically acclaimedJunoand one of the best musical on - screen carrying out by Michael Cera . In the film ’s culmination , Juno joins Paulie Bleeker outdoors for a preplanned electronic jamming academic session . Strumming in unison on their acoustic guitars , the two vocalism unite in a touching duet , to create a devout strain that warms the heart . The line is simple , the words are sincere , and the duette acts as a complete full - R-2 moment for Cera and Page ’s eccentric .

1Scott Pilgrim vs. the World - Bass Battle

A bass battle of epic proportions

While the remainder of hisScott Pilgrimco - stars were learning how to play their instruments , Michael Cera reportedly had to water his basso playing down so as not to outshine everyone else ( viaMTV ) . However , in this scene , the gloves are off as his character is forced to contend in a head - to - promontory bass voice battle with his girlfriend ’s x , Todd . As Cera and Brandon Routh take turn interchange bass part riffs , Cera flex his musical talent , strum with saturation and vigor that makes this act a problematical one to follow . It is a highlighting of the movie and the well melodic , most entertaining musical performance inMichael Cera ’s career by far .

source : MTV

Sidious, Tyranus, Maul, and Vader.

A collage image of Luke Skywalker in A New Hope

Michael Cera as Scott Pilgrim getting ready to fight under stadium lights in Scott Pilgrim vs. the world

Michael Cera playing the bass in Nick and Norah’s Infinite Playlist

Michael Cera plays Ramona a song in Scott Pilgrim Vs The World

Michael Cera plays the Final Fantasy II bassline in Scott Pilgrim Vs The World

Michael Cera sings These Eyes in Superbad

Michael Cera and Elliot Page perform a duet at the end of Juno

Scott and Todd face off in a bass battle in scott pilgrim vs the world