One Piece (Live-Action)

Summary

One Netflix live - action version is so much worse in retrospect after the success of theirOne Pieceseries and the hype surrounding theirAvatar : The Last Airbenderadaptation . The alive - activity adaptation ofOne Pieceis a hitting with fans and critics likewise , and theirupcomingAvatar : The Last Airbendershowhas fan wait with bated breath to see how it will reverse out . Both are clearly better gum anime adaptations than what the cyclosis service put out in previous year , with one run out movie in particular now standing out .

One Piece , whichfollows the young adventurer Monkey D. Luffy as he purport to be the big businessman of the pirates along with his misfit crowd , is laudable for its faithfulness to Eiichiro Oda ’s beloved manga . likewise , the trailer for Netflix’sAvatar : The Last Airbenderlooks to be a plus springy - action mechanism remake . The first look at the latter ’s iconic characters , including Daniel Dae Kim as Fire Lord Ozai and Gordon Cormier as Aang , gives reason to think the show will be as successful asOne Piecewhile further emphasizing the failure of a prior Zanzibar copal adaptation .

Netflix created a nearly gross live - activeness anime adaptation with One Piece , and its history of failures and successes proves this was no easy task .

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One Piece & Avatar Make Death Note A Bigger Failure

Death Notepremiered on Netflix in 2017 to a lackluster response from audiences over its adaption of the extremely renowned manga and anime of the same name . After the movie ’s failure , and more recently the letdown with Netflix ’s live - actionCowboy Bebopseries , there was right intellect to be sceptical about a springy - actionOne Piece . However , this low anticipation turned out to be unnecessary . Not only that , butthe success ofOne Piecenow makesDeath Noteeven bad .

One Piecedirector Emma Sullivan shared in an interviewhow the originative squad institute the fiber to living , and why it go better than other adaptation , credit their feat to createemotionally real characters and tapping into the relatable component part of the narration . Sullivan sound out , " What we had to do is we had to determine a grounded approach , and we had to find an emotionally literal attack to it . We have to kind of tap into these characters , and feel what work us interrelate as an interview to them . I think we can all tie in to just following our dreams and the positiveness of Luffy , especially now , at all times . "

It is now exonerated thatthere are mass in the entertainment industry who care enoughabout crafting a resilient - action television show that accurately and confidently portray its write up , even when tackling a massive franchise likeOne art object . This further emphasizesthe problems thatDeath Notefacednot just in its story but also in its casting .

A blended image features characters from the Netflix live-action anime adaptations Death Note, One Piece, and Cowboy Bebop

What Went Wrong With Netflix’s Death Note

Death Notehad a number of problems that extend to its commercial-grade and critical failure . The film has a vituperative 36 % critic score and 23 % audience score onRotten Tomatoes . One booby trap that the moving-picture show had waschanging the setting from Japan to Seattle and the whitewashing of the characters .

Another loser that the adaptation run across wasits format as a feature of speech rather than a TV series . Netflix ’s endeavor to put the entire story into one picture set it up for nonstarter , whereas other adaptations take the meter to boom on the tale . Thechanges that were made to the story , include the addition of a love stake for Light and the fundamental interaction between him and other characters , specifically L , were also enough to upset fans . These egress turned Netflix ’s first major Zanzibar copal adaptation ofDeath Noteinto an unforgettable piece of medium , especially now compared to the durable achievement ofOnePieceand anticipation forAvatar : The Last Airbender .

Iñaki Godoy as Luffy smiles while thinking of his dream to become king of the pirates in Netflix’s One Piece

Nat Wolff as Light and Margaret Qualley as Mia Sutton looking down at something in the movie Death Note

One Piece (Live-Action)

Death Note