Summary

Superman’scrossover withSpawnrevealed the Man of Steel ’s codename outside the DC Universe . Superman has hybridize over with a number of non - DC character reference throughout his 85 - class history , but one of his most memorable , of sorts , was in 1993’sSpawn#10 . In this story , Superman get an intriguing new nickname , one that shows just how important he is , not only in the DC Universe , but in comics as a whole .

In the narrative “ Crossing Over , ” written by Dave Sim and drawn by Todd McFarlane , inSpawn#10 , the titular hero meets Cerebus the Aardvark , and the two embark on a trippy , meta - textual journey through comics ' history . The story discusses the progeny of creator ’s rights , one of the big debates of its mean solar day . In one memorable aspect , Spawn “ meets ” Superman . He is never identified as such , and indeed his trademark “ S”-shield and cherry and blue turnout are fog in the shadows to debar stylemark infraction . Interestingly enough , Spawn refers to Superman as “ He - Who - Came - First . ”

This Superman pastiche then dedicate Spawn the powers he needs to run away the limbo he is stuck in .

A man with nuclear explosions going off behind him in The Far Side.

An Iconic Indie Creator Nailed Superman’s Role

Spawn#10 is one of the most ill-famed result of the book ’s 30 - plus year rivulet . Todd McFarlane , realize he was in over his head a little with running his own book and studio apartment , brought in acclaimed creators to write forSpawn . He managed to draft some laborious hitters , including Alan Moore , Neil Gaiman and Dave Sim , Maker of Cerebus the Aardvark . Sim , an crucial fig in the indie comic strip vista of the 1980s and nineties , crafted a phantasmagorical tale addressing the injustice of the comics ' industry , include the shoddy treatment creators receive at the hands of the “ Big Two . ”

Superman ’s “ show ” inSpawn#10 serves two purposes . First , Jerry Siegel and Joe Shuster were bill sticker children for creators rights , and Superman ’s appearing is an acknowledgment of this . secondly , it calls to attentionthe role Superman dally inboth the DC Universe and the industry as a whole . Superman ’s appearance in 1938’sAction Comics#1 kicked off the superhero craze that would help the comics ' industry fanfare in the late thirties / other 1940s . By the Golden Age ’s peak , there were hundreds of character from dozens of publisher . Superman started a style , one that is still buy the farm to this day and has made the leap to other media as well .

Related : Spawn Was One of People Magazine ’s " Sexiest Men of the Year "

Imagery of Jason the Red Ranger from Mighty Morphin Power Rangers

Superman Holds It all Together

DC Comics has play around with the idea of Superman as the glue that confine their universe together , such as in 2005’sInfinite Crisis , but here Dave Sim and Todd McFarlane stretch it to the integral comic strip ' manufacture . By referring to him as “ He - Who - Came - First , ” they acknowledge that Superman is the reason they are all there , and have careers in the manufacture in the first place . So much of the modern American comics scene can hound their roots back toSuperman , and this got a yell - out in his crossover voter withSpawn .

invisible man

Spawn-Superman

Superman Spawn He Who Came First

Spawn Prison

Superman from Action Comics #1.

Superman