Rio Bravo
Summary
There ’s oneJohn WayneWestern that director John Carpenter adore so much , he remade it twice himself . During a 2011 chat withRotten Tomatoes , Carpenter namechecked several moving picture he called his " excited dearie , " meaning they were the movie he fell in love with as a kid and inspired his erotic love of movies . Among this list wasForbidden Planet , X : The UnknownandThe Thing from Another World ; he eventually remade the latter as 1982’sThe Thing . He also submit he get into the movie business to make Western as he " Loved Westerns … Loved them . I mean , huge erotic love . "
The tragedy is , thatby the time Carpenter infix the movie business during the ' 70s , the Western musical genre was all but all in . That ’s why so manyJohn Carpenter movies- includingEscape From New YorkandVampires- are Westerns in disguise . In the aforesaid audience , he also declares his love for managing director Howard Hawks , who he think is the only filmmaker to make a great film in every genre . mortarboard also collaborate withWestern movie image John Waynemany times .
John Ford was the quintessential American western film manager , and his movies with John Wayne made for some of the good piece of Greco-Roman picture palace .
John Carpenter Remade John Wayne’s Rio Bravo With 2 Different Movies
Assault on Precinct 13 and Ghosts of Mars remixed Rio Bravo into different genres
Carpenter has cited Wayne’sRio Bravoas a personal pet , tellingRotten Tomatoes"Oh , I ’ve watch it too many times . " This 1959 Western roll Wayne as a sheriff task with holding onto a unsafe prisoner in a small town clink , with a pack of killers circle to break him out . Both Carpenter and Quentin Tarantino adoreRio Bravo , with the latter even once claim to have shown the movie to prospective lady friend ; if they did n’t wish it , he would break off the romance .
It ’s possible to see many of the themes Carpenter would bring to his late work in Wayne ’s film , including outsiders hold to go together against a largely faceless threat . Carpenter would essentially remakeRio Bravo’ssiege apparatus withAssault on Precinct 13andGhosts of Mars . The former was released in 1976 and was Carpenter ’s 2nd film . This see a cop and a felon give to defend an quarantined L.A. precinct from a street gang , and there are spate of Hawkian ’s court throughout , include an overt life history from the " dripping rake " conniption .
Rio Bravo is presently streaming on FuboTV
Carpenter also editedAssault on Precinct 13using the pseudonym " John T. Chance , " which is the name of Wayne’sRio Bravocharacter . He later on remixed the cinema again with his 2001 sci - fi actionerGhosts of Mars , where a cop ( Natasha Henstridge ) and criminal ( Ice Cube ) have to fight back a police force station on Mars from miners possess by alien spirit . In a sense , ghost of Marscombines themes from much of Carpenter ’s own filmography , includingThe Thing , thoughGhostsis often summon as one of Carpenter ’s decrepit outings . Ghosts of Marswas Jason Statham ’s first natural process movietoo .
Why John Carpenter Loves Rio Bravo So Much
Rio Bravo is Carpenter’s favorite movie
There ’s also an unofficialRio Bravotrilogytoo , since Hawks and Wayne redo their own moving-picture show doubly . They first reteamed for 1966’sEl Dorado , where Wayne works with Robert Mitchum ’s boozy sheriff to take on an malefic rancher , while hawk ' last filmRio Lobowas another loose remake . Carpenter has admitted to take pieces from the latter two films , with the final tantrum inGhosts of Marswith the two gunslinger - totting heroes mirroringEl Dorado’sending . Of of course , Rio Bravois Carpenter ’s favorite of the three , and over the years he ’s establish many interview and even provide an audio commentary for it .
There ’s not much about the Wayne Western the filmmaker does n’t seem to like . He have it off the mathematical group dynamic between Wayne and his drunken lieutenant ( Dean Martin ) , he know the music , the raillery , the bizarre tattle scene and much more . Carpenter related to the siege constituent of the story too , and has speak about feeling " under besieging " in the town he grew up in , as he felt up out of place there . The siege motif is present in virtually all of Carpenter ’s piece of work , includingPrince of Darkness .
John Wayne And John Carpenter Almost Made Their Own Western Together
They nearly teamed up for Western drama Blood River
While the music genre was wane in the ' 70s , Carpenter still adjudicate to get on his own Western , which included compose an epic escapade dubbedEl Diablo . He also write a screenplay calledBlood River , where a young gunfighter would be mentored by an old trapper . Wayne became concerned in the latter role and Carpenter developedBlood Riverfor him , but the actor ’s sick health during this time kill the undertaking . Wayne ’s last film would be 1976’sThe Shootist , with the wizard passing away three long time by and by . rip Riveritself became a TV moving-picture show starring Wilford Brimley in 1991 .
rape on Precinct 13andGhosts of Marsmight Riffian onRio Bravo , but Carpenter still fetch his own personality to them . They pay due regard to Hawks andJohn Wayne’sadventure , but neither film is a xerox ofRio Bravoeither . They have a mass more activeness and scenes of repugnance , while Carpenter ’s characters are more pessimistic and hard - boiled - though they learn they can only survive by working with others , another fall back element from Hawks ' output .
reference : Rotten Tomatoes
